Art By Lyfr

Day in the Lyfe Graffiti Magazine’s Online Blog Updated daily with graffiti, street art and original photography from around the world.

Tag: MBP

You love Day in the Lyfe.

I love Day in the Lyfe.

Remo’s got a new book about colorful drains in Japan.

So yeah……. enjoy!

DITL- Had you been to Japan before you met up with Suiko in Hiroshima?

REMO- Nope – i contacted Suiko through the internet after finding his work online and thinking it was great.

DITL- What was the impetus for your fact finding mission to Japan in the first place?  Was your intention clear at the start, what I mean is, did you know you were gonna put this book together?  How did the book, Graffiti Japan, even come about in the first place?

REMO- Nothing was clear at the beginning. Being a photographer, film director and urban visual artist all my work revolved around these things, but I hadn’t made any books yet.  In 2005 a new book by my now publisher Mark Batty Publisher appeared on the market place. It was called Melbourne stencil capital of the world.  I was living in Melbourne and am from there myself, so upon checking this book out I thought it was beautifully put together and also I felt my photographs were of similar standard. So I wrote to MBP suggesting that I do a book for them and showed them my photos. They loved my worked and asked me what subject I would do. I knew that Japan had no books on the subject at the time, and I wanted to go to Japan – so i said Japan Graffiti. They loved the idea and that was the beginning of the Japanaphile book craze.

DITL- Tell us about the roots of modern graffiti in Japan.

REMO- Well all Graffiti in Japan stems from New York and LA. All of the styles you see there resemble these beginnings in one-way or another. Even down to English lettering used, a lot of the kids even go to the USA and paint and hang out with painters over there. Then they would bring back the style to Japan. Of course eventually it evolves into their own style – but it all came from the USA in the early 1990s.

DITL- What makes Japanese graffiti different from Western style graffiti?

REMO- Manga and Kanji. The Japanese are brought up on Manga comics from and early age. That’s all they read when they are kids. This is prevalent throughout their graffiti.  It is very animated and character driven. But not western characters – no – More Japan style – intricate characters. Look at Phil and Fate and Shizentomotel for some of the best characters from Japan.  Also Kanji – the use of japanese lettering – the letters are already highly visual, so when used in graffiti it becomes something entirely Japanese.

DITL- Your new book is a fascinating study of sewer drain covers.  I had no clue they were so decorated in Japan.  Do you know much about the history behind how they ended up painted like that?

REMO- My new book – Drainspotting, is due to be out in March – and for me there is a definite link between Graffiti and this industrial design.  Well they came about because each city or prefecture wanted to pretty up the city a little by making these colorful manhole covers.. Also – sewer covers makes one think of dirty water so this is another reason – to brighten up the thought of sewage and sewer water. Then of course once this trend started – in the 1970s-80 – then each prefecture wanted to out do the next prefecture with a better design. So the designs became more intricate and decorated. Today we have designs of many things, flowers, birds, animals, ninja, firemen, shrines, dragons, godzilla and space crafts. There are over 6000 designed manhole covers to date with many Drainspotters the world over dedicating websites and museums to manhole covers. Mine is the first book on the subject.

DITL- What was it that first got you interested in graffiti?

REMO- I have been stenciling myself for many years now. Since art school back in 1992 my work has been highly pop and graffiti like using stencils to paint with and iconic imagery, but I think the Stencil boom from the early 2000s really got me back into bombing the streets of Melbourne again and also got me looking at the rest of the world too. Now my books are in Museums around the world and hey i couldnt be happier.

DITL- If you had to pick one area in Japan with the best graffiti, which one would it be and why?

REMO- Well- that’s a tough one – BUT one can take the train down to Yokahoma and there under the train station and on the street there is a legal wall that stems for 2 to 3 km. It’s amazing – all the best painters get out there and paint at one point. It is a wall of fame and you can spend a whole day walking the length of it. The exact name of the station is in my book- Graffiti Japan – with some photos from it there. Check it out – its worth it.

DITL- What’s in the cards for 2010?  More trips to Japan?  New projects on the horizon?

REMO- Well I live in Japan now. Yes the making of the book Graffiti Japan changed my life – now I am married to a Japanese girl and live and work there.    I have 2 more books coming out with MBP – Drainspotting which was mentioned earlier and another one on Japanese game cards from the last 100 years. These cards are amazing works of art containing all sorts of anime and characters – from astro boy, to samurai to Batman. amazing stuff. I will continue directing films and video. Besides that I will be having some art shows – painting at Upfest in the UK and doing some photography/Book launch shows in NY and LA.  On top of that, with my company RAVEN, I have a Graphic Novel Titled SCAR – this should hit the shelves this year. Its also coming out on Iphone very soon as an interactive comic through one coin comics. This is also a feature film and will be made into the film version hopefully this year too. So a big year in 2010.

You can check out my on going work at these sites –

DITL- Anyone you want to say Hi to out there in cyberspace?

REMO- Big shout out to my beautiful wife and partner Hisa and the team at RAVEN and the great guys at MBP and of course my folks – without all of  whom none of this would be possible.


Textura is a Hardcover collection of photographs, essays and interviews from Valencia native Luz A Martin. It contains a series of bilingual interviews with artists End, Escif, Graffilla, Julieta, Nero, ON_LY, and SAM3.  Using a 5 question format for all the interviews Martin explores the link between the artists and their home.




TOP:  CERE                                              BOTTOM:  ESCIF + ON_LY + DULK + AUSIAS

Textura also offers a glimpse into Martin’s textural photographs.  These photos capture the details of the artist and the anomalies of the surface.  The tiny variations that are swallowed into the works of art.  Textura is a thorough documentation of the current street work from this  region of Spain.


Luz Martín has worked in editorial fashion and portraiture for the past 10 years. Her photographs have been published in such places as The New York Times,Time Out LondonEl PaisEl Mundo and The Herald Tribune.

This book is available online through Mark Batty Publishers